On November 18th, we held our annual game day at the Boeing Museum of Flight. I don't recall how long we've been doing this, but Kevin Smyth has been running it for years. I think the initial contact with museum staff was done by Dave Schueler. We gather in the Great Gallery around the Lockheed M-21 (which we always incorrectly call an SR-71). For the past several years, we've been sharing the space with a plastic modeling group.
I ran a Tribal game using my just fully completed BoJack cavemen. I got the figures from North Star in the UK on Sept 2 and a small number of Lucid Eye figures in a couple orders to Badger Games. I just finished 90 figures (75 North Star, 16 Lucid Eye), 3 mammoths, 2 cave lions, and 1 cave bear. I've also painted a lot of terrain pieces and a handful of loot markers. I still have 5 cave women to paint and I need to get three more loot tokens done, but the caveman project pretty much a wrap—unless I decide to buy/paint more figures so I can do a six-player game.
The cavemen got into their first combat in early October in a Tribal game between Eric Donaldson and me.
I only had enough minis painted to create two warbands and we used skills, which I avoid in multiplayer games involving people who are new to the game. Skills add a great dimension to the games and gives players the ability to customize their warbands a bit.
It was nice to host a four-player game the day after I finished the last of the new terrain pieces and the same day that I put the tufts on the bases for the last 11 minis. I don't imagine that I'll ever really have a game that doesn't wind up with me making or painting something for it the same morning that I play it.
I used one of my 6x4 Tablewar mats and made a more open space than in previous Tribal games.
I modified the standard Tribal shooting rules to limit the range of missile fire to 3 long card lengths (10 1/2 inches). It seems like a needed change for multiplayer games on a larger table. I want to eliminate the ability of players to make a long diagonal shot from one end of the table to the other because they just happen to get the right line-up of a clear line of sight. The idea of unlimited shooting makes sense if you're playing a 1:1 game on a 3x3 mat with a lot of blocking terrain. Otherwise you get the long, long javelin throw or you have to cram the table with too much terrain just to ensure that you've limited every possible line of sight.
I was pretty happy with what I laid out and shooting didn't dominate the game.
The scenario was that two tribal groups, each divided into two bands, are competing for mammoth meat. There were three mammoth models on the table and the tribes had to either herd the animals off a part of their table edge or kill the mammoth on table and stand guard over its carcass until the end of the game to get 5 points. There were also some "goodies" tokens spread around that could yield points or a prehistoric predator in the form of a cave lion or cave bear. All other honor points were awarded per standard Tribal rules.
The players were Bruce Meyer, Gary Griess, Chris Bauermeister, and someone we all called Devon (likely because that was his name), all new players. It's fun explaining the card interactions for combat to new players. At first, it sounds like the rules for Fizzbin.
However, people pick it up quickly and in no time they know the ins and outs better than I do.
The trick with herding the mammoths is that they move away as you approach them. To herd them back to your side, you need to get around them—or hope that the other side obliges by chasing them your way.
The latter is how the game started, with Chris and Devon moving two of the mammoths towards Bruce and Gary's side. All they had to do was step aside and let the mammoths go towards their board edge.
The "goodies" tokens yielded mostly goodies. I made the scenario so that when a player's unit came within 2 long card lengths of a token, they'd draw a card from their deck. If it was a black card, they got goodies. If it was a red card, it was a cave bear for face cards and cave lions for the others. Once revealed, the predator attacked the triggering unit. Ultimately, only one cave lion made an appearance.
The two sides didn't clash much until a few turns into the game.
Gary, whom the mammoths passed by, expended his energies attacking Chris' cavemen. Chris was still fending off the cave tiger he'd found (or who's found him).
There was only one man v. mammoth battle. Bruce, with some help from Gary, managed to heard two mammoths towards their table edge. The third mammoth seems to be running for its life towards one of the table edges—which wouldn't provide points for either side. Devon ran a lone hero to it from behind and managed to get into a fight with the behemoth.
Nothing much came of it. Mammoths can take eight wounds before they succumb to being a cave man's dinner. Devon inflicted a few wounds, but his hero suffered a few as well.
After Bruce and Gary herded their two mammoths off the table, we counted up points. Gary and Bruce won, but not by a lot. Getting 10 points for the mammoths helped, but Chris managed to score a number of points from winning near-bloodless combats with Gary that repeated over and over. The honor points from those wins boosted his team's honor points to a respectable level.
Tribal has become my go-to game. Eric Donaldson has also become an enthusiast and has bought figures for 16th c. Portuguese in the Amazon as well as some Tupi for them to fight. While no one else is painting troops specifically for Tribal, there are plenty of ready-made warbands using existing Saga armies as well as various other bits. Kevin Smyth and I have our early Native Americans—which been we've been using with the Song of Drums and Tomahawks rules— that we can make respectable Tribal warbands from. We also have our collections (mine, modest; his, expansive) of Aztecs, Conquistadors, and Tlaxcalans that we painted for our Lion Rampant variant Queztalcoatl Rampant.
Aftermath
I wanted to play in another game for the second period, but after schlepping everything out to my car and back again, I was sweaty and wanted to get in my car with the AC on full blast. I also wanted to get to the vigil Mass at 5:00 pm, so I could sit around the house and do stuff all day on Sunday. I decided to give the second period a miss and scampered for home just after 1:00 pm.
I wound up ignoring GPS's recommendation to go via the east side (I-405) and took the straight route through Seattle. It was slower going, but it gave me the chance to stop off at the Pacific Inn for the planet's best fish and chips and a cold Manny's Pale Ale.
The PI is a treasure, but every time I go there my heart sinks as I see the gentrification going on all around it. It used to blend in perfectly with a section of the Fremont district in Seattle that was an old light industrial / working class neighborhood that had grown just delightfully shy of urban blight. I used to work around the corner from it in a consulting firm in what used to be a bookstore in what used to be a warehouse. My coworkers and I would go to the PI for fries and beer after work or I'd stop in for lunch a few days a month.
Just across Stone Way and up half a block is where three great used bookstores used to be: Sea Ocean Book Berth, B. Brown and Associates, and Seattle Book Center. I have several treasured volumes purchased from them and fond memories of leisurely browsing their stacks. Seattle Book Center was my favorite. They had a great stock that included a lot of rare books.
All gone now. As of 2019, the stores were boarded up and defaced by graffiti.
Now there's some kind of soulless, multi-storey, mixed-use abomination rising in their place. Buildings of that ilk are taking over most of Stone Way now.
And they just had to cut down all the trees that were on the street in front. Why are trees always sacrificed in the pursuit of urban renewal? I've been referring to my hometown as "formerly-bucolic" Lynnwood for a while now. I'm starting to think "Lynnphalt" will be more appropriate as they continue to cut down trees and pave the place over.
A part of me wants the PI to last forever and another part wants it to go quickly and painlessly, put to sleep like a beloved pet to spare it further agony. Its place knows it no more and it will soon be considered an eyesore. I imagine that in no time at all, its graffiti-covered ruin will sit abandoned waiting for the wrecking ball. It breaks my heart.
After lunch, I drove up Stone Way a few blocks to Eltana Bagels. It's the only place to get bagels in the Puget Sound area. Being full from lunch, I didn't nosh one there, but I ordered a dozen—poppy seed, the only kind to eat—and took them home. I froze 2/3 of them and put the rest in a plastic bag for the fridge. Toasted in the morning with butter, schmeer, and lox is the best.
There's not much else in Seattle that draws me down—other than the occasional take out from Judy Fu's Snappy Dragon—but I enjoy these exceptional excursions, melancholy and all.
Projects ho!
With the cavemen project effectively done, I'm going to pivot to getting my Japanese and Korean navies painted for the Imjin War. I started cleaning a few models earlier and have some bases cut out for them. I expect they'll go very quickly once I start in earnest. I'm already well begun.
After that (or maybe in conjunction with it), I'll get to my Copplestone Castings Botocudo for Tribal. Eric recently completed his 16th c. Portuguese and was contemplating getting some Tupi from Eureka Miniatures in Australia. The Botocudo will be my contribution to that project.